What are the Beginnings of the Term ‘Copyright’?

In antiquity, according to brampton Defence Lawyer copyright was not known, although the perception of the existence of intellectual property on "the works of the spirit" had its origins ever since. Historical sources prove that in ancient Greece and Ancient Rome, it was valued not the thing on which the work was materialized, but the work itself. In ancient Rome, there were no legally established rules governing the existence and exercise of copyrights.

The practice of art was a profession for which only the free ones, not the slaves, were considered worthy. When the creator of a work was a slave, he needed the patronage of the patron. The patron may have at his discretion the manuscript, including the propagation of the manuscript, by ordering the transcription to be done by slaves. In this sense, patronage is a prototype of publishing ‘The rewriting of manuscripts flourishes in Ancient Rome’. But the efforts and costs of transcription have been rated higher than the work itself.

In the Middle Ages, when written works multiply in the monasteries, there are also examples of authorship awareness.

The essence of privileges. In 1440 the printing was discovered. Since then, the possibility of spreading books has increased sharply. Gradually through the Renaissance, the so-called Privileges regime is established. the guaranteed protection has taken the form of a ban on printing in respect of third parties and a guaranteed opportunity for certain persons to print certain works. Guaranteed privileges are manifested in four different forms.

1. Privileges of printers - The printer who deals with his craft within a given territory has received a limited time privilege for the exclusive exercise of this craft within an area.

2. Book Benefits - After the dissemination of the printing, the privileges were granted to individual printing works or general privileges were granted to protect a series of works. They ensured the dissemination, the distribution of the print production, but they had - protected the "work of the spirit" considerably less than the printed "materialized work".

3. Copyright privileges - With the gradual realization of the artist's individuality through the Renaissance, more and more authors are making efforts to enforce legal protection for their works. 

4. Territorial privileges have arisen since the middle of the sixteenth century. These were special laws which prohibited certain groups of people from making reprints at a certain time.

The oldest privilege of this kind against German reprint was the 1531 Basel ordinance prohibiting all printers in the city of Basel from re-printing books that were published in Basel within the three years after the publication of the work.

The theory of publishing property. It was assumed that printers and publishers had a peculiar right of ownership on the work being made. Printers and publishers are convinced that, without granting special privileges to the authors, they must be paid a certain fee (originally the authors have received the most free copies of the work). This theory of publisher ownership originated originally in the bookkeepers' guilds in England, where the owner of an exclusive publishing right was called the owner of the spear. From there comes today's name "copyright".

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